his sister hilda discovered him through a photograph in a french newspaper — this is addressed in the film, in which she features — and he eventually reunited with her and sister beatrice, who left europe after the war and settled in montreal. she died in 1974.
wiesel studied at the sorbonne and worked as a journalist in france.
“he overcame trauma by becoming a witness,” a family friend says in the film. night, his memoir of a young boy’s spiritual reaction to auschwitz, was published initially in yiddish in 1956 as an 846-page manuscript, and the world remained silent. it was abridged and translated into french and published in 1958 as la nuit and in english in 1960 as night.
“i wrote it for the other survivors, who found it difficult to speak and i wanted to tell them, ‘really … you must speak,'” wiesel says in the film. he went on to write dozens more books; night would sell more than six million copies in 30 languages, and it is still taught in classrooms.
wiesel moved to new york in 1956, where he became a writer, teacher and academic. he taught first at city college of new york, then in 1976 at boston university, where he was andrew w. mellon professor in the humanities.
a former student described what she had learned from wiesel: “your suffering is not what defines you, but it can inform you. it shapes you and then it is your job to make it the best tool you can.”
for him, trauma was something that led to moral action. throughout his life, he emphasized the duty to fight apathy, denouncing genocide and human rights violations in countries including rwanda, cambodia, the former yugoslavia and sudan.
“i have tried to fight those who would forget,” he said in his 1986 nobel prize acceptance speech. “because if we forget, we are guilty, we are accomplices. … we must always take sides. neutrality helps the oppressor, never the victim.”