traditional japanese homes often follow the philosophy of wabi-sabi, an appreciation for imperfection and asymmetry. if elements are flawed, worn out or unbalanced, rather than scrambling to fix them, the theory goes, it’s better to not only accept but celebrate a place’s peccadillos. the pursuit of perfection, after all, is an exercise in futility and an express train to stress.
the couple who commissioned the
sakura estate in coquitlam back in 1963 were not known to be japanese themselves, but they obviously embraced the wabi-sabi sentiment when envisioning their new mid-century modern home.
“its luxury comes from the materiality: it’s simple, reduced, peaceful,” says listing agent trent rodney, co-founder of west coast modern group real estate agency. “everything is locally sourced with a japanese sensibility.”
that sensibility starts with the property’s namesake, the sakura, a 60-year-old cherry blossom tree that presides over the front yard. adjacent to the entrance courtyard, the covered two-vehicle carport’s eaves curve up like a pagoda. after passing through two motor court gates and continuing along a curved driveway, then over circular paving stones that look like lily pads, and across slate tiles, you pass underneath translucent tōrō lanterns, historically used to line and illuminate paths around buddhist temples and shrines.
squamish granite columns frame the entrance courtyard, and a skylight illuminates the pebbled pathway leading to the home’s double mahogany doors.
james han
“the architect for the sakura, g. douglas wylie, collaborated with landscape architects muirhead and justice, both heavily influenced by japanese planning,” says listing agent trent rodney.
james han
hand set, locally sourced squamish granite columns frame the entrance courtyard, and a skylight illuminates the pebbled pathway leading to the home’s double mahogany doors.
“each element slows movement and creates a staged arrival in the entrance foyer that feels like you’ve entered the insides of a supersized japanese lantern,” says rodney.
the california-style pool in the backyard was inspired by american landscape architect thomas church, characterized by the kidney-shaped design that blends with the surrounding landscape. “granite monoliths, tall vertical stones near the pool and outdoor fireplace, function as sculptural landscape elements and reference traditional japanese stone garden placement,” says rodney.